1995 Best Original Song - The Long, Long Randy Newman Losing Streak

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WON: "Colors of the Wind," Pocahontas

SHOULD'VE WON: "Have You Ever Really Loved a Woman," Don Juan DeMarco

Among the more notable and surprising developments in my quest to tackle every Best Original Song category at the Oscars is just how much, since reviewing 1982 (the year he garnered his first Oscar nom with Ragtime's "One More Hour"), I've soured on composer Randy Newman.

Newman's 1998 score to Pleasantville is among my five favorite movie scores of all-time - it's a gorgeous, truly startling composition that lifts an already-exquisite picture to new heights. That surely is an occasion in which Newman deserved to pick up a trophy.

None of that beauty or nuance can be found anywhere, however, among Newman's first three appearances in Best Original Song - the bland "One More Hour" and two turgid pieces of adult contemporary, Parenthood's "I Love to See You Smile" and The Paper's "Make Up Your Mind." By 1995, Newman had gone, including his Best Original Score nominations, 0-for-6 at the Oscars. By 1996, he would be 0-for-8.

Venturing into '95 Best Original Song, I figured there was at least some chance I could at last go with Newman for the win. I am, after all, quite fond of Pixar's Toy Story and I thought I was a great admirer of Newman's music for the picture too but I suppose I either forgot or simply never realized just how short and fleeting his "You've Got a Friend in Me" is. On one hand, it's a charmer that instantly brings to mind images of a fantastic film. On the flip side, upon listening to it several times over the past day, I couldn't help but think to myself, "that's it?" It doesn't have much staying power. It's also not the picture's strongest song, that being the energetic "Strange Things." In a super-anemic year, I could probably settle on Newman here but I was stunned how (mildly) underwhelmed I was revisiting the tune.

As for the rest of the line-up in '95, I have a comparably 'eh' reaction all-around. There's no truly rotten song among the bunch but nothing stands out in any significant way either. Couldn't the Academy have nominated at least one or two tracks off the sublime Waiting to Exhale soundtrack, which featured terrific Babyface-produced tunes from the likes of Whitney Houston, Aretha Franklin and, my favorite, Brandy? (And no, Batman Forever's "Kiss from a Rose" and Dangerous Minds' "Gangsta's Paradise" were not eligible.)

The winner in '95, Pocahontas' "Colors of the Wind," is reasonably enjoyable, performed nicely by Broadway's great Judy Kuhn (and later covered to great success by Vanessa Williams) but it doesn't have any of the magic or emotional weight of the great Howard Ashman Disney tunes (instead it's Alan Menken and Stephen Schwartz here).

Bruce Springsteen's "Dead Man Walkin'" is an appropriate fit for the Tim Robbins film but it's a rough listen on its own terms, as dreary as it is kinda-sorta haunting and without any real hook. Likewise, Sting's "Moonlight," composed by Oscar mainstays John Williams and Alan & Marilyn Bergman, is a pleasant, agreeable, completely insignificant listen, the kind of record you play in the background at a wine and cheese party where nobody's necessarily paying attention to the substance of a song.

Is my reputation dead if I go with my guilty pleasure of the five, Bryan Adams' "Have You Ever Really Loved a Woman"? I concede it's no "Over the Rainbow" or "The Way You Look Tonight" but at least it's a fun, catchy listen, in a cheesy '90s pop-rock sort of way, which is more than I can say about the competing foursome.

The Oscar-winners ranked (thus far)...

  1. "Over the Rainbow," The Wizard of Oz (1939)
  2. "The Way You Look Tonight," Swing Time (1936)
  3. "High Hopes," A Hole in the Head (1959)
  4. "Streets of Philadelphia," Philadelphia (1993)
  5. "Whatever Will Be, Will Be (Que Sera, Sera)," The Man Who Knew Too Much (1956)
  6. "Mona Lisa," Captain Carey, U.S.A. (1950)
  7. "Baby, It's Cold Outside," Neptune's Daughter (1949)
  8. "(I've Had) the Time of My Life," Dirty Dancing (1987)
  9. "The Windmills of Your Mind," The Thomas Crown Affair (1968)
  10. "The Way We Were," The Way We Were (1973)
  11. "Let the River Run," Working Girl (1988)
  12. "Raindrops Keep Fallin' on My Head," Butch Cassidy and the Sundance Kid (1969)
  13. "Under the Sea," The Little Mermaid (1989)
  14. "High Noon (Do Not Forsake Me, On My Darlin')," High Noon (1952)
  15. "Can You Feel the Love Tonight," The Lion King (1994)
  16. "Beauty and the Beast," Beauty and the Beast (1991)
  17. "I'm Easy," Nashville (1975)
  18. "You'll Never Know," Hello, Frisco, Hello (1943)
  19. "On the Atchison, Topeka and the Santa Fe," The Harvey Girls (1946)
  20. "Fame," Fame (1980)
  21. "Theme from Shaft," Shaft (1971)
  22. "Secret Love," Calamity Jane (1953)
  23. "White Christmas," Holiday Inn (1942)
  24. "Moon River," Breakfast at Tiffany's (1961)
  25. "Take My Breath Away," Top Gun (1986)
  26. "When You Wish Upon a Star," Pinocchio (1940)
  27. "Thanks for the Memory," The Big Broadcast of 1938 (1938)
  28. "Lullaby of Broadway," Gold Diggers of 1935 (1935)
  29. "Zip-a-Dee-Doo-Dah," Song of the South (1947)
  30. "A Whole New World," Aladdin (1992)
  31. "Flashdance...What a Feeling," Flashdance (1983)
  32. "Arthur's Theme (Best That You Can Do)," Arthur (1981)
  33. "Last Dance," Thank God It's Friday (1978)
  34. "Colors of the Wind," Pocahontas (1995)
  35. "Sooner or Later (I Always Get My Man)," Dick Tracy (1990)
  36. "Days of Wine and Roses," Days of Wine and Roses (1962)
  37. "For All We Know," Lovers and Other Strangers (1970)
  38. "All the Way," The Joker Is Wild (1957)
  39. "It Might As Well Be Spring," State Fair (1945)
  40. "The Last Time I Saw Paris," Lady Be Good (1941)
  41. "In the Cool, Cool, Cool of the Evening," Here Comes the Groom (1951)
  42. "Love Is a Many-Splendored Thing," Love Is a Many-Splendored Thing (1955)
  43. "It Goes Like It Goes," Norma Rae (1979)
  44. "Born Free," Born Free (1966)
  45. "Never on Sunday," Never on Sunday (1960)
  46. "I Just Called to Say I Love You," The Woman in Red (1984)
  47. "Up Where We Belong," An Officer and a Gentleman (1982)
  48. "Three Coins in the Fountain," Three Coins in the Fountain (1954)
  49. "Chim Chim Cher-ee," Mary Poppins (1964)
  50. "Call Me Irresponsible," Papa's Delicate Condition (1963)
  51. "Evergreen (Theme from A Star Is Born)," A Star Is Born (1976)
  52. "Swinging on a Star," Going My Way (1944)
  53. "You Light Up My Life," You Light Up My Life (1977)
  54. "Gigi," Gigi (1958)
  55. "The Continental," The Gay Divorcee (1934)
  56. "Sweet Leilani," Waikiki Wedding (1937)
  57. "Buttons and Bows," The Paleface (1948)
  58. "Talk to the Animals," Doctor Dolittle (1967)
  59. "The Shadow of Your Smile," The Sandpiper (1965)
  60. "Say You, Say Me," White Nights (1985)
  61. "The Morning After," The Poseidon Adventure (1972)
  62. "We May Never Love Like This Again," The Towering Inferno (1974)

1994 Best Original Song - The Lion King Rules the Oscars

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WON: "Can You Feel the Love Tonight," The Lion King

SHOULD'VE WON: "Circle of Life," The Lion King

If there is any year in which a single film could/should have filled out the entire Best Original Song category at the Oscars, it is 1994.

Kudos to the Academy for nominating The Lion King's "Can You Feel the Love Tonight," "Circle of Life" and "Hakuna Matata," all composed by Elton John and Tim Rice, but why not go the distance and recognize "Be Prepared" and - the picture's most fun song - "I Just Can't Wait to Be King"? The other two nominated tracks here are truly dismal, the worst in adult contemporary - Patty Smyth and Randy Newman (I'm starting to realize why the Academy took so long to give Newman a prize) phoning it in on Junior's "Look What Love Has Done" and The Paper's "Make Up Your Mind," respectively.

If the Academy wished to recognize a non-Lion King tune, they certainly should have instead gone with Lisa Loeb's marvelous, Billboard-topping "Stay (I Missed You)," from Reality Bites. It's a song I wouldn't hesitate to rank among the top 25 or so songs from the decade.

Among the three Lion King tracks nominated here, I would, despite my affection for the supremely entertaining vocals of Nathan Lane and Ernie Sabella, have to rank "Hakuna Matata" a rather distant third. Much like "Friend Like Me," it's a lot of fun but doesn't quite carry the weight of Disney's best in music.

"Can You Feel the Love Tonight" is, a rarity in this category, soft rock done right, even if the production and background vocals occasionally border on the weepy. While I wouldn't include it among the strongest of Elton John's extensive catalogue, it is a plenty moving piece and I'm not terribly opposed to its victory.

I just don't consider "Can You Feel the Love Tonight," nice as it is, to be quite on the same level as "Circle of Life," The Lion King's spectacularly epic opening number. It's a sweeping piece of music, top 5 Disney for sure, that sets expectations sky-high for the rest of the picture. And while I'm not sure any other moment in the film quite reaches the same exhilarating heights of "Circle of Life," The Lion King is richly deserving of the status it's earned in subsequent years as one of Disney's finest. (And it was surely more worthy of a Best Picture nomination than '94 nominees Four Weddings and a Funeral and Quiz Show.)

The Oscar-winners ranked (thus far)...

  1. "Over the Rainbow," The Wizard of Oz (1939)
  2. "The Way You Look Tonight," Swing Time (1936)
  3. "High Hopes," A Hole in the Head (1959)
  4. "Streets of Philadelphia," Philadelphia (1993)
  5. "Whatever Will Be, Will Be (Que Sera, Sera)," The Man Who Knew Too Much (1956)
  6. "Mona Lisa," Captain Carey, U.S.A. (1950)
  7. "Baby, It's Cold Outside," Neptune's Daughter (1949)
  8. "(I've Had) the Time of My Life," Dirty Dancing (1987)
  9. "The Windmills of Your Mind," The Thomas Crown Affair (1968)
  10. "The Way We Were," The Way We Were (1973)
  11. "Let the River Run," Working Girl (1988)
  12. "Raindrops Keep Fallin' on My Head," Butch Cassidy and the Sundance Kid (1969)
  13. "Under the Sea," The Little Mermaid (1989)
  14. "High Noon (Do Not Forsake Me, On My Darlin')," High Noon (1952)
  15. "Can You Feel the Love Tonight," The Lion King (1994)
  16. "Beauty and the Beast," Beauty and the Beast (1991)
  17. "I'm Easy," Nashville (1975)
  18. "You'll Never Know," Hello, Frisco, Hello (1943)
  19. "On the Atchison, Topeka and the Santa Fe," The Harvey Girls (1946)
  20. "Fame," Fame (1980)
  21. "Theme from Shaft," Shaft (1971)
  22. "Secret Love," Calamity Jane (1953)
  23. "White Christmas," Holiday Inn (1942)
  24. "Moon River," Breakfast at Tiffany's (1961)
  25. "Take My Breath Away," Top Gun (1986)
  26. "When You Wish Upon a Star," Pinocchio (1940)
  27. "Thanks for the Memory," The Big Broadcast of 1938 (1938)
  28. "Lullaby of Broadway," Gold Diggers of 1935 (1935)
  29. "Zip-a-Dee-Doo-Dah," Song of the South (1947)
  30. "A Whole New World," Aladdin (1992)
  31. "Flashdance...What a Feeling," Flashdance (1983)
  32. "Arthur's Theme (Best That You Can Do)," Arthur (1981)
  33. "Last Dance," Thank God It's Friday (1978)
  34. "Sooner or Later (I Always Get My Man)," Dick Tracy (1990)
  35. "Days of Wine and Roses," Days of Wine and Roses (1962)
  36. "For All We Know," Lovers and Other Strangers (1970)
  37. "All the Way," The Joker Is Wild (1957)
  38. "It Might As Well Be Spring," State Fair (1945)
  39. "The Last Time I Saw Paris," Lady Be Good (1941)
  40. "In the Cool, Cool, Cool of the Evening," Here Comes the Groom (1951)
  41. "Love Is a Many-Splendored Thing," Love Is a Many-Splendored Thing (1955)
  42. "It Goes Like It Goes," Norma Rae (1979)
  43. "Born Free," Born Free (1966)
  44. "Never on Sunday," Never on Sunday (1960)
  45. "I Just Called to Say I Love You," The Woman in Red (1984)
  46. "Up Where We Belong," An Officer and a Gentleman (1982)
  47. "Three Coins in the Fountain," Three Coins in the Fountain (1954)
  48. "Chim Chim Cher-ee," Mary Poppins (1964)
  49. "Call Me Irresponsible," Papa's Delicate Condition (1963)
  50. "Evergreen (Theme from A Star Is Born)," A Star Is Born (1976)
  51. "Swinging on a Star," Going My Way (1944)
  52. "You Light Up My Life," You Light Up My Life (1977)
  53. "Gigi," Gigi (1958)
  54. "The Continental," The Gay Divorcee (1934)
  55. "Sweet Leilani," Waikiki Wedding (1937)
  56. "Buttons and Bows," The Paleface (1948)
  57. "Talk to the Animals," Doctor Dolittle (1967)
  58. "The Shadow of Your Smile," The Sandpiper (1965)
  59. "Say You, Say Me," White Nights (1985)
  60. "The Morning After," The Poseidon Adventure (1972)
  61. "We May Never Love Like This Again," The Towering Inferno (1974)

1993 Best Original Song - Songs from the City of Brotherly Love

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WON: "Streets of Philadelphia," Philadelphia

SHOULD'VE WON: "Philadelphia," Philadelphia

For two reasons, and really just those two reasons alone, 1993 is remarkable year in Best Original Song at the Oscars, a line-up that includes two of my very favorite tracks to ever grace the category - "Philadelphia" and "Streets of Philadelphia," both from the Jonathan Demme film, which marked the first mainstream, big-budget picture to address HIV/AIDS.

I don't think Philadelphia, as a film, works quite as incredibly as it should - while Tom Hanks and Denzel Washington (and the pitch-perfectly cold Jason Robards and Mary Steenburgen, to boot) are both in top form and the picture does boast many moving moments, particularly outside the rather familiar courtroom setting, I think it's played more than just a tad too safe. It isn't as compelling as that year's And the Band Played On, nor as it as devastating as 1990's Longtime Companion. It's a commendable, engaging-enough film that played a useful role in educating (and, in many cases, smacking sense into) a wider sect of moviegoers but I do not consider it one of the finest in LGBT cinema.

What I do, however, find truly extraordinary about Philadelphia is the film's soundtrack, which not only featured the nominated Bruce Springsteen and Neil Young songs but also tunes from the likes of Peter Gabriel, Sade and the Indigo Girls.

While it isn't my pick in this category, I can hardly knock Springsteen's victory for "Streets of Philadelphia," a song I consider both one of the artist's greatest efforts to date and one of the all-time best winners in this category (clocking in, for now, at #4 among the 60 winners of Best Original Song I've reviewed). Everything here, in terms of music, lyrics and vocal, works splendidly, perfectly fitting for the film, and it was a deserving honoree at the following year's Grammys, where it picked up Song of the Year and a trio of other assorted prizes.

With that said, I'm not sure any Best Original Song nominee, of any year, could top Young's "Philadelphia" for me - it really might be my favorite nominee in this category's history.

The first time I sat down and watched the Demme film, it was the Young track, which plays over the home movies of Andrew Beckett during the picture's conclusion, that most stuck with me. It's among the most haunting pieces of music I've ever encountered, a record that rattles me every time I listen. Young's lyrics and performance, especially in the context of the film, are absolutely extraordinary. As much as I appreciate all of the accolades the Springsteen song deservedly garnered, I think it's a real shame the Young track went mostly unnoticed, sans the Oscar nom.

As for the rest of '93 Original Song, it's pretty slim pickings, though Janet Jackson's "Again," from her motion picture debut in John Singleton's Poetic Justice, is a fine, plenty listenable piece of R&B-pop. The remaining two contenders, "The Day I Fall in Love" (a duet for James Ingram and Dolly Parton) and "A Wink and a Smile" (one of Harry Connick Jr.'s many wannabe-standards from this time) more or less fade into the background.

The Oscar-winners ranked (thus far)...

  1. "Over the Rainbow," The Wizard of Oz (1939)
  2. "The Way You Look Tonight," Swing Time (1936)
  3. "High Hopes," A Hole in the Head (1959)
  4. "Streets of Philadelphia," Philadelphia (1993)
  5. "Whatever Will Be, Will Be (Que Sera, Sera)," The Man Who Knew Too Much (1956)
  6. "Mona Lisa," Captain Carey, U.S.A. (1950)
  7. "Baby, It's Cold Outside," Neptune's Daughter (1949)
  8. "(I've Had) the Time of My Life," Dirty Dancing (1987)
  9. "The Windmills of Your Mind," The Thomas Crown Affair (1968)
  10. "The Way We Were," The Way We Were (1973)
  11. "Let the River Run," Working Girl (1988)
  12. "Raindrops Keep Fallin' on My Head," Butch Cassidy and the Sundance Kid (1969)
  13. "Under the Sea," The Little Mermaid (1989)
  14. "High Noon (Do Not Forsake Me, On My Darlin')," High Noon (1952)
  15. "Beauty and the Beast," Beauty and the Beast (1991)
  16. "I'm Easy," Nashville (1975)
  17. "You'll Never Know," Hello, Frisco, Hello (1943)
  18. "On the Atchison, Topeka and the Santa Fe," The Harvey Girls (1946)
  19. "Fame," Fame (1980)
  20. "Theme from Shaft," Shaft (1971)
  21. "Secret Love," Calamity Jane (1953)
  22. "White Christmas," Holiday Inn (1942)
  23. "Moon River," Breakfast at Tiffany's (1961)
  24. "Take My Breath Away," Top Gun (1986)
  25. "When You Wish Upon a Star," Pinocchio (1940)
  26. "Thanks for the Memory," The Big Broadcast of 1938 (1938)
  27. "Lullaby of Broadway," Gold Diggers of 1935 (1935)
  28. "Zip-a-Dee-Doo-Dah," Song of the South (1947)
  29. "A Whole New World," Aladdin (1992)
  30. "Flashdance...What a Feeling," Flashdance (1983)
  31. "Arthur's Theme (Best That You Can Do)," Arthur (1981)
  32. "Last Dance," Thank God It's Friday (1978)
  33. "Sooner or Later (I Always Get My Man)," Dick Tracy (1990)
  34. "Days of Wine and Roses," Days of Wine and Roses (1962)
  35. "For All We Know," Lovers and Other Strangers (1970)
  36. "All the Way," The Joker Is Wild (1957)
  37. "It Might As Well Be Spring," State Fair (1945)
  38. "The Last Time I Saw Paris," Lady Be Good (1941)
  39. "In the Cool, Cool, Cool of the Evening," Here Comes the Groom (1951)
  40. "Love Is a Many-Splendored Thing," Love Is a Many-Splendored Thing (1955)
  41. "It Goes Like It Goes," Norma Rae (1979)
  42. "Born Free," Born Free (1966)
  43. "Never on Sunday," Never on Sunday (1960)
  44. "I Just Called to Say I Love You," The Woman in Red (1984)
  45. "Up Where We Belong," An Officer and a Gentleman (1982)
  46. "Three Coins in the Fountain," Three Coins in the Fountain (1954)
  47. "Chim Chim Cher-ee," Mary Poppins (1964)
  48. "Call Me Irresponsible," Papa's Delicate Condition (1963)
  49. "Evergreen (Theme from A Star Is Born)," A Star Is Born (1976)
  50. "Swinging on a Star," Going My Way (1944)
  51. "You Light Up My Life," You Light Up My Life (1977)
  52. "Gigi," Gigi (1958)
  53. "The Continental," The Gay Divorcee (1934)
  54. "Sweet Leilani," Waikiki Wedding (1937)
  55. "Buttons and Bows," The Paleface (1948)
  56. "Talk to the Animals," Doctor Dolittle (1967)
  57. "The Shadow of Your Smile," The Sandpiper (1965)
  58. "Say You, Say Me," White Nights (1985)
  59. "The Morning After," The Poseidon Adventure (1972)
  60. "We May Never Love Like This Again," The Towering Inferno (1974)

1992 Best Original Song - Whitney Wakes Up the Oscars

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WON: "A Whole New World," Aladdin

SHOULD'VE WON: "I Have Nothing," The Bodyguard

In 1977 and 1984, respectively, the Academy egregiously ignored Saturday Night Fever and Purple Rain - then, the two best-selling movie soundtracks of all-time - in the category of Best Original Song at the Oscars.

By 1992, with the smashing success of The Bodyguard (which would go on to top Purple Rain as the all-time best-seller and even win Album of the Year at the Grammys), it appeared the Oscars had learned their lesson in the backlash of giving the cold shoulder to such monumentally popular, not only with general audiences but critics too, successes. The Academy not only recognized the plastered-across-the-airwaves "I Have Nothing" but also a second, somewhat lesser song to boot, "Run to You," both of course performed to perfection by Whitney Houston. (Dolly Parton's "I Will Always Love You" was ineligible, obviously.)

Besides "Run to You," which is a respectable but clear fifth-place finisher here, '92 Original Song is a bit tough to gauge in terms of picking a winner - I like but don't whole-heartedly love the other contenders.

Given my affection for The Little Mermaid and Beauty and the Beast in recent years of this category, I was excited to dive into the two nominated tunes from Aladdin, only I realized while revisiting "A Whole New World" and "Friend Like Me" that I've really never been all that enamored with the picture or its music. I love the vocals here - from Brad Kane and Lea Salonga on the former, and the incomparable Robin Williams on the latter - but I don't think either song (composed by Alan Menken, with Tim Rice on the former and the late Howard Ashman on the latter) quite captures the magic of tunes like "Under the Sea," "Part of Your World" or "Be Our Guest." They're perfectly agreeable and "Friend Like Me" is good fun in particular but I'm not left head-over-heels.

Likewise, I respect "Beautiful Maria of My Soul," beautifully performed by Antonio Banderas in The Mambo Kings, but despite the vocal and some nice orchestrations, it's missing that special something that turns a rather ordinary tune into something truly extraordinary. It's not bad by any stretch but I can barely even remember the song as I write this.

Ultimately, I side with "I Have Nothing" here, slightly over "Friend Like Me." It's a prime example of the sort of soft pop-R&B that dominated much of the adult contemporary airwaves in the late '80s and early '90s, through not only Houston but also Anita Baker, Vanessa Williams, Toni Braxton and so on. Houston's vocal turn is dynamite and the production is agreeably glossy.

Overlooked in '92? Two strong original songs from A League of Their Own - Madonna's "This Used to Be My Playground" and Carole King's "Now and Forever."

The Oscar-winners ranked (thus far)...

  1. "Over the Rainbow," The Wizard of Oz (1939)
  2. "The Way You Look Tonight," Swing Time (1936)
  3. "High Hopes," A Hole in the Head (1959)
  4. "Whatever Will Be, Will Be (Que Sera, Sera)," The Man Who Knew Too Much (1956)
  5. "Mona Lisa," Captain Carey, U.S.A. (1950)
  6. "Baby, It's Cold Outside," Neptune's Daughter (1949)
  7. "(I've Had) the Time of My Life," Dirty Dancing (1987)
  8. "The Windmills of Your Mind," The Thomas Crown Affair (1968)
  9. "The Way We Were," The Way We Were (1973)
  10. "Let the River Run," Working Girl (1988)
  11. "Raindrops Keep Fallin' on My Head," Butch Cassidy and the Sundance Kid (1969)
  12. "Under the Sea," The Little Mermaid (1989)
  13. "High Noon (Do Not Forsake Me, On My Darlin')," High Noon (1952)
  14. "Beauty and the Beast," Beauty and the Beast (1991)
  15. "I'm Easy," Nashville (1975)
  16. "You'll Never Know," Hello, Frisco, Hello (1943)
  17. "On the Atchison, Topeka and the Santa Fe," The Harvey Girls (1946)
  18. "Fame," Fame (1980)
  19. "Theme from Shaft," Shaft (1971)
  20. "Secret Love," Calamity Jane (1953)
  21. "White Christmas," Holiday Inn (1942)
  22. "Moon River," Breakfast at Tiffany's (1961)
  23. "Take My Breath Away," Top Gun (1986)
  24. "When You Wish Upon a Star," Pinocchio (1940)
  25. "Thanks for the Memory," The Big Broadcast of 1938 (1938)
  26. "Lullaby of Broadway," Gold Diggers of 1935 (1935)
  27. "Zip-a-Dee-Doo-Dah," Song of the South (1947)
  28. "A Whole New World," Aladdin (1992)
  29. "Flashdance...What a Feeling," Flashdance (1983)
  30. "Arthur's Theme (Best That You Can Do)," Arthur (1981)
  31. "Last Dance," Thank God It's Friday (1978)
  32. "Sooner or Later (I Always Get My Man)," Dick Tracy (1990)
  33. "Days of Wine and Roses," Days of Wine and Roses (1962)
  34. "For All We Know," Lovers and Other Strangers (1970)
  35. "All the Way," The Joker Is Wild (1957)
  36. "It Might As Well Be Spring," State Fair (1945)
  37. "The Last Time I Saw Paris," Lady Be Good (1941)
  38. "In the Cool, Cool, Cool of the Evening," Here Comes the Groom (1951)
  39. "Love Is a Many-Splendored Thing," Love Is a Many-Splendored Thing (1955)
  40. "It Goes Like It Goes," Norma Rae (1979)
  41. "Born Free," Born Free (1966)
  42. "Never on Sunday," Never on Sunday (1960)
  43. "I Just Called to Say I Love You," The Woman in Red (1984)
  44. "Up Where We Belong," An Officer and a Gentleman (1982)
  45. "Three Coins in the Fountain," Three Coins in the Fountain (1954)
  46. "Chim Chim Cher-ee," Mary Poppins (1964)
  47. "Call Me Irresponsible," Papa's Delicate Condition (1963)
  48. "Evergreen (Theme from A Star Is Born)," A Star Is Born (1976)
  49. "Swinging on a Star," Going My Way (1944)
  50. "You Light Up My Life," You Light Up My Life (1977)
  51. "Gigi," Gigi (1958)
  52. "The Continental," The Gay Divorcee (1934)
  53. "Sweet Leilani," Waikiki Wedding (1937)
  54. "Buttons and Bows," The Paleface (1948)
  55. "Talk to the Animals," Doctor Dolittle (1967)
  56. "The Shadow of Your Smile," The Sandpiper (1965)
  57. "Say You, Say Me," White Nights (1985)
  58. "The Morning After," The Poseidon Adventure (1972)
  59. "We May Never Love Like This Again," The Towering Inferno (1974)

1991 Best Original Song - Beauty and the Beast (and Bryan Adams)

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WON: "Beauty and the Beast," Beauty and the Beast

SHOULD'VE WON: "Belle," Beauty and the Beast

"Be Our Guest" vs. "Belle vs. "Beauty and the Beast" - it's practically like having to choose among Casablanca, Citizen Kane and The Godfather.

The brilliant and timeless Beauty and the Beast dominated Best Original Song at the 1991 Oscars, with three tunes composed by the duo of Ashman and Menken, and deservedly so. It also marked the first animated film to garner a nomination in Best Picture, keeping the likes of Boyz 'n the Hood and Thelma & Louise on the sidelines.

In terms of which of the three Beauty nominees I admire most, it's awfully hard to knock the Academy's selection of the title song - it's a splendid, supremely romantic song, performed heavenly by Angela Lansbury. I also adore "Be Our Guest," a splashy ensemble number that's right about on-par with "Under the Sea" in sheer energy and enthusiasm. But I actually most love "Belle," the picture's delightful opening number, which rings of Ashman-Menken's "Skid Row (Downtown)" from Little Shop of Horrors and other great, ensemble-driven opening tunes from Broadway.

Of course, there were also other nominees in '91 Best Original Song, one decent and one not-so-hot.

The more agreeable of the remaining two contenders is Bryan Adams' smash hit "(Everything I Do) I Do It for You," from the ho-hum Kevin Costner starrer Robin Hood: Prince of Thieves. For better or worse, the record, which spent most of the summer of '91 atop the Billboard Hot 100, is the epitome of early '90s adult contemporary, competently performed and produced but more than a tad schmaltzy and overbaked. It is, however, more satisfying than "When You're Alone," a dreary Hook number from John Williams and Leslie Bricusse, who struck lightning the prior year on Home Alone but completely miss the bullseye this time around.

Instead of settling on the old standbys of Williams and Bricusse, the Academy should have certainly recognized the incredible Eric Clapton, whose heartbreaking, Grammy-winning "Tears in Heaven" was featured on the Rush soundtrack.

The Oscar-winners ranked (thus far)...

  1. "Over the Rainbow," The Wizard of Oz (1939)
  2. "The Way You Look Tonight," Swing Time (1936)
  3. "High Hopes," A Hole in the Head (1959)
  4. "Whatever Will Be, Will Be (Que Sera, Sera)," The Man Who Knew Too Much (1956)
  5. "Mona Lisa," Captain Carey, U.S.A. (1950)
  6. "Baby, It's Cold Outside," Neptune's Daughter (1949)
  7. "(I've Had) the Time of My Life," Dirty Dancing (1987)
  8. "The Windmills of Your Mind," The Thomas Crown Affair (1968)
  9. "The Way We Were," The Way We Were (1973)
  10. "Let the River Run," Working Girl (1988)
  11. "Raindrops Keep Fallin' on My Head," Butch Cassidy and the Sundance Kid (1969)
  12. "Under the Sea," The Little Mermaid (1989)
  13. "High Noon (Do Not Forsake Me, On My Darlin')," High Noon (1952)
  14. "Beauty and the Beast," Beauty and the Beast (1991)
  15. "I'm Easy," Nashville (1975)
  16. "You'll Never Know," Hello, Frisco, Hello (1943)
  17. "On the Atchison, Topeka and the Santa Fe," The Harvey Girls (1946)
  18. "Fame," Fame (1980)
  19. "Theme from Shaft," Shaft (1971)
  20. "Secret Love," Calamity Jane (1953)
  21. "White Christmas," Holiday Inn (1942)
  22. "Moon River," Breakfast at Tiffany's (1961)
  23. "Take My Breath Away," Top Gun (1986)
  24. "When You Wish Upon a Star," Pinocchio (1940)
  25. "Thanks for the Memory," The Big Broadcast of 1938 (1938)
  26. "Lullaby of Broadway," Gold Diggers of 1935 (1935)
  27. "Zip-a-Dee-Doo-Dah," Song of the South (1947)
  28. "Flashdance...What a Feeling," Flashdance (1983)
  29. "Arthur's Theme (Best That You Can Do)," Arthur (1981)
  30. "Last Dance," Thank God It's Friday (1978)
  31. "Sooner or Later (I Always Get My Man)," Dick Tracy (1990)
  32. "Days of Wine and Roses," Days of Wine and Roses (1962)
  33. "For All We Know," Lovers and Other Strangers (1970)
  34. "All the Way," The Joker Is Wild (1957)
  35. "It Might As Well Be Spring," State Fair (1945)
  36. "The Last Time I Saw Paris," Lady Be Good (1941)
  37. "In the Cool, Cool, Cool of the Evening," Here Comes the Groom (1951)
  38. "Love Is a Many-Splendored Thing," Love Is a Many-Splendored Thing (1955)
  39. "It Goes Like It Goes," Norma Rae (1979)
  40. "Born Free," Born Free (1966)
  41. "Never on Sunday," Never on Sunday (1960)
  42. "I Just Called to Say I Love You," The Woman in Red (1984)
  43. "Up Where We Belong," An Officer and a Gentleman (1982)
  44. "Three Coins in the Fountain," Three Coins in the Fountain (1954)
  45. "Chim Chim Cher-ee," Mary Poppins (1964)
  46. "Call Me Irresponsible," Papa's Delicate Condition (1963)
  47. "Evergreen (Theme from A Star Is Born)," A Star Is Born (1976)
  48. "Swinging on a Star," Going My Way (1944)
  49. "You Light Up My Life," You Light Up My Life (1977)
  50. "Gigi," Gigi (1958)
  51. "The Continental," The Gay Divorcee (1934)
  52. "Sweet Leilani," Waikiki Wedding (1937)
  53. "Buttons and Bows," The Paleface (1948)
  54. "Talk to the Animals," Doctor Dolittle (1967)
  55. "The Shadow of Your Smile," The Sandpiper (1965)
  56. "Say You, Say Me," White Nights (1985)
  57. "The Morning After," The Poseidon Adventure (1972)
  58. "We May Never Love Like This Again," The Towering Inferno (1974)