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Review: "Lion"

January 30, 2017 by Andrew Carden in Reviews

As director Garth Davis' Oscar-nominated Lion opens, five-year-old Saroo (Sunny Pawar, in a wonderful screen debut) is waiting at a train station for his brother Guddu (Abhishek Bharate) when he accidentally falls asleep aboard a dormant train and awakens in the morning, the moving vehicle now countless miles across India, in Calcutta.

With no understanding of the local Bengali language, Saroo wanders the city with impressive street smarts and is eventually placed in an orphanage. Not long after, with his family unable to ever track him down and vice versa, he is adopted by an Australian couple (Nicole Kidman and David Wenham), who whole-heartedly adore Saroo from the get-go.

This opening half of Lion suggests a masterpiece in cinema. It's sumptuously photographed, with cinematography by Greig Fraser, features a stirring original score by Hauschka and Dustin O'Halloran and boasts that delightful, engaging performance by Pawar, who has an enormous screen presence. Kidman is fantastic too, in scenes both early and later in the film, though I do wish her character was more fleshed-out.

Lion's latter half, I'm afraid, isn't quite on-par with its exceptional start. In this portion of the picture, set 25 years later, an adult Saroo (Dev Patel) is now residing in Melbourne, where he studies hotel management. Following an evening of Indian cuisine with friends and his girlfriend Lucy (Rooney Mara), Saroo finds himself overcome with flashbacks to his childhood. His friends suggest he utilize Google Earth to finally locate his hometown and before long, this search becomes an obsession for Saroo.

These scenes, while competently filmed and performed, don't pack the same punch as those featuring Pawar. Moreover, Mara, who should have won last year's Best Supporting Actress Oscar for Carol, is obscenely underused in a thankless role. Only toward the film's conclusion does it muster the same impact as earlier but these moments are also a tad dampened by the use of a bombastic original song by Sia.

Even if Lion overall does not live up to the sky-high promise of its first hour, the picture is still an immensely moving one and deserving of the recognition it's so far garnered.

A-

January 30, 2017 /Andrew Carden
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2016 SAG Awards winners

January 29, 2017 by Andrew Carden in Guild Awards, SAG

Congratulations to all of this year's fantastic SAG Awards winners! (And Lifetime Achievement honoree Lily Tomlin!)

Best Ensemble
Hidden Figures

Best Lead Actor
Denzel Washington, Fences

Best Lead Actress
Emma Stone, La La Land

Best Supporting Actor
Mahershala Ali, Moonlight

Best Supporting Actress
Viola Davis, Fences

January 29, 2017 /Andrew Carden
SAG, Guild Awards
Guild Awards, SAG
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2016 SAG Awards predictions

January 26, 2017 by Andrew Carden in Guild Awards

On the heels of Oscar nominations morning - and with about a month to go before that grand ceremony - here's my final hunch on how this weekend's SAG Awards will go down...

Best Ensemble

  1. Hidden Figures
  2. Moonlight
  3. Manchester by the Sea
  4. Fences
  5. Captain Fantastic

Nuts as this may sound, I suspect Hidden Figures will pull the upset here, over Moonlight, which appears to be something of a soft front-runner here. Hidden Figures peaked at just the right time in SAG voting, having already amassed nearly $100 million at the box office; is packed with actors who have worked alongside countless other SAG members; and, of course, mustered that all-important Best Picture Oscar nom. Moonlight could still totally win this, though - the Globe win was important in sustaining some momentum for the film, and there's something so special about the casting of both Chiron and Kevin. Not to be entirely counted out is Manchester by the Sea, though it seems buzz on that one is generally, sadly waning a bit. The other two I don't see as having a prayer, even though I have both Davis and this guy emerging triumphant here...

Best Lead Actor

  1. Denzel Washington, Fences
  2. Casey Affleck, Manchester by the Sea
  3. Viggo Mortensen, Captain Fantastic
  4. Ryan Gosling, La La Land
  5. Andrew Garfield, Hacksaw Ridge

Yup, I'm going the extra distance in awards commentary craziness here. First off, I think Mortensen, Gosling and Garfield can all rather easily be counted out here, even with Mortensen's cast having scored that jaw-dropping Ensemble nod. The way I see it, if enough voters realize Washington has yet to triumph at SAG, he should win, as something of a career nod. Moreover, though, I get the sense critics (and the HFPA) might be much more keen on Affleck than his acting peers. Perhaps it's Brie Larson's wary response to his Globe victory putting me in this mindset but I suspect he may be weaker than some are thinking among the acting branch.

Best Lead Actress

  1. Emma Stone, La La Land
  2. Natalie Portman, Jackie
  3. Meryl Streep, Florence Foster Jenkins
  4. Amy Adams, Arrival
  5. Emily Blunt, The Girl on the Train

Even with Stone looking more and more like an Oscar shoo-in, I wouldn't entirely discount Portman's chances here. I do see Stone as a decent front-runner at SAG, in part because she's the one way the guild can recognize La La Land, but I'm hesitant to quite yet declare Portman dead. Streep, despite that glorious Globes speech, shouldn't be a real factor here, and non-Oscar nominees Adams and Blunt surely needn't get victory speeches together.

Best Supporting Actor

  1. Mahershala Ali, Moonlight
  2. Jeff Bridges, Hell or High Water
  3. Dev Patel, Lion
  4. Hugh Grant, Florence Foster Jenkins
  5. Lucas Hedges, Manchester by the Sea

Now this is a tough one. Ali was steamrolling this awards season until Aaron Taylor-Johnson's random Globe win somewhat placed the breaks on his momentum. I still think Ali triumphs here but Bridges could follow in the footsteps of Robert Duvall, Michael Caine, Christopher Walken and Tommy Lee Jones of veteran actors who have prevailed in SAG Supporting Actor. Patel, who was nominated at SAG for Slumdog Millionaire when the Academy didn't bite, could be a factor too. Grant and Hedges, while both wonderful, are sitting this one out.

Best Supporting Actress

  1. Viola Davis, Fences
  2. Michelle Williams, Manchester by the Sea
  3. Nicole Kidman, Lion
  4. Naomie Harris, Moonlight
  5. Octavia Spencer, Hidden Figures

Here is the biggest slam dunk of the evening. It's tough to even decide upon who will be the distant runner-up to Davis. I would think it's Williams, though it doesn't much matter - Davis shall triumph here in a cakewalk.

January 26, 2017 /Andrew Carden
SAG, Guild Awards
Guild Awards
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2016 Oscar Nominations

January 24, 2017 by Andrew Carden in Oscars

Congratulations to all of this year's nominees!

BEST PICTURE
Arrival
Fences
Hacksaw Ridge
Hell or High Water
Hidden Figures
La La Land
Lion
Manchester by the Sea
Moonlight

BEST DIRECTOR
Denis Villeneuve, Arrival
Mel Gibson, Hacksaw Ridge
Damien Chazelle, La La Land
Kenneth Lonergan, Manchester by the Sea
Barry Jenkins, Moonlight

BEST ACTOR
Casey Affleck, Manchester by the Sea
Andrew Garfield, Hacksaw Ridge
Ryan Gosling, La La Land
Viggo Mortensen, Captain Fantastic
Denzel Washington, Fences

BEST ACTRESS
Isabelle Huppert, Elle
Ruth Negga, Loving
Natalie Portman, Jackie
Emma Stone, La La Land
Meryl Streep, Florence Foster Jenkins

BEST SUPPORTING ACTOR
Mahershala Ali, Moonlight
Jeff Bridges, Hell or High Water
Lucas Hedges, Manchester by the Sea
Dev Patel, Lion
Michael Shannon, Nocturnal Animals

BEST SUPPORTING ACTRESS
Viola Davis, Fences
Naomie Harris, Moonlight
Nicole Kidman, Lion
Octavia Spencer, Hidden Figures
Michelle Williams, Manchester by the Sea

BEST ORIGINAL SCREENPLAY
Hell or High Water
La La Land
The Lobster
Manchester by the Sea
20th Century Women

BEST ADAPTED SCREENPLAY
Arrival
Fences
Hidden Figures
Lion
Moonlight

BEST CINEMATOGRAPHY
Arrival
La La Land
Lion
Moonlight
Silence

BEST FILM EDITING
Arrival
Hacksaw Ridge
Hell or High Water
La La Land
Moonlight

BEST VISUAL EFFECTS
Deepwater Horizon
Doctor Strange
The Jungle Book
Kubo and the Two Strings
Rogue One: A Star Wars Story

BEST PRODUCTION DESIGN
Arrival
Fantastic Beasts and Where to Find Them
Hail, Caesar!
La La Land
Passengers

BEST COSTUME DESIGN
Allied
Fantastic Beasts and Where to Find Them
Florence Foster Jenkins
Jackie
La La Land

BEST MAKEUP & HAIRSTYLING
A Man Called Ove
Star Trek Beyond
Suicide Squad

BEST ORIGINAL SCORE
Jackie
La La Land
Lion
Moonlight
Passengers

BEST ORIGINAL SONG
“Audition (The Fools Who Dream),” La La Land
“Can’t Stop the Feeling,” Trolls
“City of Stars,” La La Land
“The Empty Chair,” Jim: The James Foley Story
“How Far I’ll Go,” Moana

BEST SOUND EDITING
Arrival
Deepwater Horizon
Hacksaw Ridge
La La Land
Sully

BEST SOUND MIXING
Arrival
Hacksaw Ridge
La La Land
Rogue One: A Star Wars Story
13 Hours: The Secret Soldiers of Benghazi

BEST ANIMATED FEATURE
Kubo and the Two Strings
Moana
My Life as a Zucchini
The Red Turtle
Zootopia

BEST DOCUMENTARY
Fire at Sea
I Am Not Your Negro
Life, Animated
O.J.: Made in America
13th

BEST FOREIGN LANGUAGE FILM
Land of Mine
A Man Called Ove
The Salesman
Tanna
Toni Erdmann

BEST DOCUMENTARY SHORT SUBJECT
Extremis
4.1 Miles
Joe's Violin
Watani: My Homeland
The White Helmets

BEST LIVE ACTION SHORT
Ennemis Entreniers
La Femme et le TGV
Silent Nights
Sing
Timecode

BEST ANIMATED SHORT
Blind Vaysha
Borrowed Time
Pear Cider and Cigarettes
Pearl
Piper

January 24, 2017 /Andrew Carden
Oscars 2016, Oscars
Oscars
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Review: "The Founder"

January 22, 2017 by Andrew Carden in Reviews

John Lee Hancock is not exactly among my favorite filmmakers. Sans a decent performance here and there, his The Blind Side and Saving Mr. Banks largely bored me to tears. These and other efforts struck me as heart-tugging mush, without a whole lot of style or ingenuity to speak of.

This lack of cinematic flourish, I'm happy to report, is not nearly as much on display in Hancock's latest picture, The Founder. This time around, the director is working from a fine screenplay (from The Wrestler scribe Robert Siegel) and alongside three marvelous actors, all operating at the tops of their games. It's a movie that marks a plenty respectable finish to 2016 in film.

The Founder opens in 1954 with the floundering, yet mightily determined Illinois salesman Ray Kroc (Michael Keaton) bouncing around from one drive-in restaurant to another, trying, with minimal success, to sell his latest milkshake mixers. At last, one eatery in southern California bites - a successful little hamburger joint called McDonald's. Kroc heads west and is head-over-heels for the place, established by brothers Dick (Nick Offerman) and Mac (John Carroll Lynch) McDonald. He sees their speedy method of making food as a winner, with enormous franchise potential. So, Kroc manages to get the McDonalds on board with expanding their baby but conflict between the entrepreneurs rises as McDonald's becomes a runaway hit and Kroc leaves the McDonald brothers in the dust.

All of the material here featuring the McDonald brothers packs a real punch. It's a mouth-watering delight watching the burger-making process, and there's a particularly inventive scene in which Dick and Mac, alongside their first employees, work on a tennis court to figure out the appropriate operation. There are also several moments of tremendous tension later in the picture, as the McDonalds become more and more irrelevant to the juggernaut that is Kroc's McDonald's.empire. It is a true pleasure seeing Offerman and Lynch with prime big screen roles like this, and Keaton is a blast to watch as the ruthlessly committed Kroc.

If The Founder has any real misstep, it is in the casting of top-notch actors like Laura Dern, Patrick Wilson and Linda Cardellini in thankless supporting turns that act more as window dressing than roles of real significance. That quibble aside, the film is a lot of fun, Kroc's warts and all.

B+

January 22, 2017 /Andrew Carden
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